Blind Willie Johnson is a pretty big vocal influence. He can be very harsh, like gargly, gruff vocals, but also just slip into some very delicate, vulnerable soft stuff. I like that combination.

In hip hop, it's a lot more about lacing a hot track. I start it, I help mix it, I help write it, I help produce it, I cut the person's vocals. I'm involved from the beginning to the end of a song. I'm not just giving someone a beat, you know?

I started as a guitarist and couldn't find a decent singer, so I started providing my own vocals.

I'm tired of being around men all the time. I'm going to start a band called Skirt with three girls and I'll play the guitar and sing backing vocals in drag. I went window shopping when I was in New York, saw a lot of amazing dresses.

I think I'm a vocal genius, not a musical genius. I like background vocals. I consider myself a voice, not a singer. A voice is a sound, and singing is what you do with that sound.

There's not a whole lot to do in Athens. When I was 13, I just started entertaining myself by writing songs. I'd sit in my room for 10 hours playing the same song, stacking vocals, trying out different drum beats, realizing no one would ever hear this but having so much fun. I guess I got my voice from just doing that so often.

My son is in a band, and he's a singer, and his vocals... they're screaming-growling stuff... and he's got a pretty reasonable voice. Yet he practices really hard to get the screaming-growling thing without losing that voice every five minutes. So I'm, like, 'Hats off to you.'

I like Kehlani a lot because she's on her grind; she does everything herself. She's writing her own music and, you know, putting all the vocals together, and she's just dope. She just reminds me a lot of me.

Maybe I was just born with a little bit of vocals or natural talent, but I feel like I taught myself. I just started taking vocal lessons to just work on my breathing, my vowels and stuff.