I always gravitate towards the independent side of things, just because those are the stories I always fall in love with, but you don't really get paid, and living in Los Angeles is expensive, and I have a mortgage to pay. So it's good to jump onto a studio film and then in all my other time do small passion projects.
Actors, we like stories, we like storytelling, we love being a part of the story, and if you give us a story that's interesting then we'll want to do it.
There's a great tradition in storytelling that's thousands of years old, telling stories about kings and their palaces, and that's really what I wanted to do.
Big stories need human stakes.
I really enjoy listening to stories. I remember them and keep them in my mind.
I love love stories, no matter how dark.
'And Then There Were None' is a network of former abortion clinic workers who are stepping forward to tell our stories about what really happens behind the closed doors of Planned Parenthood and abortion facilities across America. We are stepping forward because our voices deserve to be heard, and America deserves to know the truth.
Why do Planned Parenthood and their allies only 'trust women' and only want to hear women's stories when they agree with Planned Parenthood? Why do they work to silence any women who disagree with them? Don't our stories matter?
The kind of stories I like often comes from debutant directors.
I am most attracted to characters and stories that I can relate to. The traditional formula of 'larger than life' I never found attractive.
