From sublime affairs of state to the stark and vulgar popular culture of our own contemporary lives, let's make this descent into the lower registers together and recognize the good, nasty fun of 'Gone Girl,' Chicago writer Gillian Flynn's novel about the mysterious disappearance of a clever and deceptive young Midwestern housewife.
Fair play doesn't pertain in bargaining. What matters there is leverage.
I've always felt that improv looks and feels more clever when you're there to experience it live than when you have the degree of separation that television creates. Television raises expectations.
Here we stand in the middle of this new world with our primitive brain, attuned to the simple cave life, with terrific forces at our disposal, which we are clever enough to release, but whose consequences we cannot comprehend.
Equity is the cushion that protects financial institutions from unexpected changes in the value of their assets. The greater the leverage, the smaller the losses required to wipe out a company's equity, leaving it without enough money to repay the people who hold its debt.
Big companies often use their leverage to take stakes in would-be suppliers, especially in the technology business.
What really destroyed Tucker Carlson, respected magazine journalist, was TV. TV exposed him as glib, smug, and not nearly as clever as he thought he was.
Cities offer us powerful leverage on our most stubborn, wasteful practices. Long commutes in our cars, big power bills from our energy-hogging buildings, shopping trips to buy stuff that'll spend a few short months in our homes and long centuries in our landfills.
There are times I'm approaching turns with my right hand on the brake lever, I'm downshifting with my fingers, I'm controlling the throttle with my left hand and steering into the corner with only one hand on the wheel. I feel a bit like Jimi Hendrix: I play with both my hands.
I love Simone Rocha. I just think she's really clever.
