I gravitated to economics because I'm interested in how people coordinate and collaborate with each other. Economics studies all the ways people get along with each other.


I dream of collaborating with Q-Tip and Timbaland - it's all producers. I'd really like to work with Drake and DRAM. The Weeknd would be dope. The list goes on and on. If Michael Jackson were alive, I'd love to collaborate with him.

Every time you get the chance to work with somebody you admire and would like to collaborate with... it feels like the best opportunity that's ever come your way, whether that's in fringe theatre or a really big-budget Hollywood movie.

I love seeing people collaborate to make great music!

At the beginning, there was this competitive vibe, like, 'Oh, we've got to compete for this audience.' But then, over the next few years afterwards, everyone on YouTube realized the more we work together, the more we collaborate, it just benefits everyone. It just became a really friendly community.

We like to collaborate on everything, so we have no formal divisions on where we each like to focus, and we like to put our brains together on every aspect of a project. We just have a nonstop dialogue.

It is a real pleasure to collaborate with Frida Giannini and Gucci to celebrate one of the House's most elegant symbols: the horsebit.

I like the feeling of making things. It's very very rewarding. And filmmaking is that type of experience, where you're forced to collaborate with so many people. You're involved in the beginning to end, you're involved with so many elements, and when it's done, you're like, 'I made this movie.'