Kiss will always be Gene Simmons and Paul Stanley to me.

Where I live in Oklahoma, it's all ranchers. My friends are all cowboys and pretty rough guys. If I had a hot tub back there, I may as well have Richard Simmons come over and live with me.

My mentor Jon Simmons introduced me to the Stanislavski system, which is so heavy on back-story. So you write and write and write these back stories about a character and then you throw it away. So then on set, if it doesn't come, then you didn't do your work.

I like the fact that this kind of family has been seen in a movie a million times: teenage kids, the family is a bit strained and they don't have enough money, but in the background the guy used to be a Gene Simmons type.

I would urge all bands that say they only care about credibility and don't care about money to send Gene Simmons every dollar that they don't want. I'd be happy to take it off them.

I used to make demo tapes with cats that rocked with Russell Simmons and people like that. The history goes so far back; I've always been really focused on writing dope rhymes.

I ended up gettin' a little Gibson amp and a bass, because of Gene Simmons of Kiss. Myself and three other kids would pretend to be Kiss - I liked Gene the best.