Security theater is the idea of putting on a big show of security in order to make people feel safe. That's why the TSA screens everything and takes your stuff away.
You know how in every heist movie they get past the security cameras that show the hallway leading to the diamonds by jamming the screens with a fake signal of everything looking safe and quiet? Usually a guard coughs so they don't notice the blip from switching to the bogus feed.
Wouldn't it be great if cars came equipped with screens like that thing they have in Times Square that spells out the news? You could punch out your own instant messages: 'Will the small red car with the ugly driver please stay a little further behind?'
I think, unfortunately, everything is becoming about comfort, you know? A comfortable way to tell a story. The comfortable way, so that the audience will never be lost. A comfortable way to produce a film with green screens or without a lot of physical effort or losing control because of the weather or physical locations.
You can watch a little bit of war from your nice living room - 30 seconds of what's going on in Syria - and when you've had enough, switch over to some celebrity programme. We live our life through screens and images in this way, and we don't know what is real or fake anymore. It doesn't matter.
When our TV screens are filled with heartbreaking images of suffering, we have to dig deep inside ourselves in order to keep going.
Our technology promises the magic of constant connectedness. Yet we feel loss in being atomized on separate screens, trapped in filter bubbles of belief, bobbing in a sharing economy in which the technologists seem to own all the shares.
Limit or eliminate late-night computer and television viewing. A computer or TV screen may seem much dimmer than a light bulb, but these screens often fill your field of vision, mimicking the effects of a room filled with light.
Suddenly, the screens were dominated by American entertainment to the extent of something like 95 percent. As a result, audiences turned away from the kinds of films that we used to make.
In the first years after the systemic transition, our screens showed American entertainment that had not been available before, or had been available only sporadically.
