As a boy from Patna, I've always dreamt of a chance to showcase my talent.
The tragedy of the UPA is not that it didn't do anything, but that it is not able to take credit for what it has done. By staying silent when it should have been shouting from the rooftop and by protecting the guilty, it surrendered the governance agenda to AAP.
In the development business doing something for both women and the environment is the equivalent of holding a royal flush in poker.
When you are a talkative and expressive person in real life, it definitely gets difficult to play someone who is so silent.
'Splendour' broke through to new territory for me. It exposed my commitment to writing for women: my desire to recognise that they can be as aggressive, violent, mercurial, and complex as men.
We have a world minus a whole lot of talent that has stepped out of contention for leadership, only because they don't want to seem too aggressive, too smart, unattractive, or too male.
I'm a championship handball player. I'm a championship softball and baseball player. I used to be an extremely talented center in high school in football. I also dabbled in lacrosse and soccer. I'm really good at billiards, darts, shuffleboard.
You have to be talented. You have to work hard; you have to get the right pieces flowin' for you at the right time. And that's just what happened to me. I can't explain what happened.
Our talent and skill as rappers is clearly the first thing you notice. I don't know what we were thinking. We just really love rap and wanted to be rappers. Is that weird?
An excellent job with a dubious undertaking, which is like saying it would be great if it wasn't awful.
