There is nothing natural, inevitable, or necessary about the labyrinth of fear. We can liberate ourselves. There are better ways to live. Someone has to take the initiative to love and trust her fellow living creature and set us all free.
Growing up, I was on film sets occasionally, when my dad was acting, so I got to run around and do odd jobs on films like 'Labyrinth' and others... I seemed destined to make films.
I'd love to make a film like 'Pan's Labyrinth.'
Every movie, I complicate. I make the hard choices. I remember when I was pitching 'Pan's Labyrinth:' An anti-fascist fairy tale set in Civil War Spain, where the girl dies at the end. It's not easy.
Everything I do, I do it with the hope that people will watch it more than twice. Whether it's 'Pan's Labyrinth' or 'Pacific Rim' or the opening of 'The Simpsons,' I do it with that hope.
Any actor I admire and enjoy working with - Sergi Lopez as the bad guy in 'Pan's Labyrinth,' or the little girl who played young Mako in 'Pacific Rim,' it makes no difference - I like actors with a very strong centre.
Most of the time - in 'Pan's Labyrinth' or 'Devil's Backbone' - I'm talking about my childhood.
I saw David Bowie in 'Labyrinth' when I was seven or eight. I told my mom I wanted a Bowie record, so we traveled to the mainland, which was, like, a three-hour trip, and I bought 'Let's Dance' and 'Tonight.' 'Let's Dance' blew my little mind. I became obsessed with it.
With a labyrinth, you make a choice to go in - and once you've chosen, around and around you go. But you always find your way to the center.
I still get recognized for 'Labyrinth' by little girls in the weirdest places. I can't believe they still recognize me from that movie. It's on TV all the time, and I guess I pretty much look the same.
