At times, my insecurities were real. How am I going to get back into the team? I felt like I was climbing a ladder that was never-ending at times.

People buy a ticket to see your show, so from the moment I get onstage, I can have no insecurities, because they're already there. You have to get people to listen. If they listen, everything's cool.

The arts capture our insecurities, quicken our instincts, guide us through threats. They help us know ourselves. They help us know each other. They help us know better.

People presume my disability has to do with being an amputee, but that's not the case; our insecurities are our disabilities, and I struggle with those as does everyone.

Everything I was told should be my greatest insecurities and weaknesses, everything that I've been labeled - short, nerdy, skinny, weak, impulsive, ugly, tomboy, poor, rebel, loud, freak, crazy - turned out to be my greatest strengths. I didn't become successful in spite of them. I became successful because of them.

When I audition, I understand what it takes and the insecurities that come with it. If I do anything, I put actors at ease. I used to tell directors who weren't actors, the best thing they could do was take an acting class for a couple of months. Just to understand.

I hope that I can be a role model and positive influence to anyone else who is struggling with insecurities within themselves.

At the core, I try to write characters who are real people with real insecurities, fears, hopes, and dreams, which is why hopefully readers can identify with them.