I still have a thorn in my side at not having played for Real Madrid or Barcelona, because playing there is a dream for every player. But I consider myself very satisfied to have played for the best teams in Italy.

I always liked the double cutaway. It looked like two horns. It's like a red devil. So I went to the guitar shop, saw an SG that was sitting there looking rather lonely, and said, 'Hey, that's for me.'

If I were queen for a day, every city would have to spend one hour in utter silence: no music in shops and restaurants, no honking of horns, no conversations on mobile phones. Only birds would be allowed to sing.

So it's really hard for a horn player to comp. But I'm totally into trying to switch those paradigms around and find a little magic space where that works, and try to mine that.

That's the thing that we said about the horn before: it's a focus issue. It's like a singer versus a drummer. If a drummer's playing a drum beat, and a singer starts singing, what do you think the audience is going to do?

There's something about 'Strictly Come Dancing.' Everywhere I go, people wish me good luck; cabbies toot their horns. It's lovely. I have a theory: in straitened times, there's nothing like a bit of unapologetic escapism.