I was signed to a record label at the same time as my friend Elliot Murphy, who makes great records to this day.
I came in on the decline. Phil Elliot was in first, he got his book out, he sold thirteen thousand, I think he got two issues out before I got mine in, this was March '87. He was out in December '86.
I'd say that my musical influences are anywhere from pop-rock electronica, new age and classical. But I think that specifically, bands - I love Jem, I love Sigur Ross, I love David Gray, I love Elliot Smith... a lot of different people. But I don't find lyrical inspiration from anybody.
In rare cases, I've had music before I shot the movie. I think that for 'Good Will Hunting' I had an Elliot Smith record or a couple of them and I just somehow felt like the sound had something to it that reminded me of the story. So in that case there was music beforehand.
Tacked above my desk are photos of artists I admire - Hopper, Sargent, Twain - and postcards from beloved bookstores where I've spent all my time and money - Tattered Cover, Elliot Bay, Harvard Bookstore.
Growing up, Missy Elliot and Janet Jackson were definitely major references.
Lauryn Hill might have cursed a couple of times in her music, and Missy Elliot definitely just doesn't care. I'm really more inspired by their creativity more so than just the cursing. I'm really impressed by clean music.
Anne Elliot was the one Jane Austen character I didn't fall in love with. She seemed sad and defeated.
It's not a matter of if economies around the world becoming low-carbon, but when and how: through struggle and strife or through advancement and progressive leadership. Larry Elliot described it today as the 'Green New Deal.' It's a leadership we in Britain can provide, and from which our economy can benefit.
I'm just trying to play against ethnicity. I got to play a guy from Louisiana in 'The Pacific' named Merriell Shelton, and now I'm playing Elliot Alderman.
