I was having an argument with my stepfather, and he was like, 'Why don't you join the Marine Corps?' And I was like, 'Noooo! Well, maybe, actually... ' I went and saw the recruiter, who was like, 'Are you on the run from the cops? Because we've never had someone want to leave so fast.'
I loved being in the Marine Corps, I loved my job in the Marine Corps, and I loved the people I served with. It's one of the best things I've had a chance to do.
Something I learned in the Marine Corps that I've applied to acting is, one, taking direction, and then working with a group of people to accomplish a mission and knowing your role within that team.
In the Marine Corps, everything had a purpose.
Just being in the military, you're so violent. We got into fights about just random things all the time. I don't think as aggressively as I did when I was in the Marine Corps.
The Marine Corps is some of the best acting training you could have. Having that responsibility for people's lives, suddenly time becomes a really valuable commodity and you want to make the most of it. And for acting, you just have to do the work, just keep doing it.
Emphasis in the Marine Corps isn't on talking about your feelings.
At Juilliard, suddenly I was reading these great plays that could articulate the ways I was feeling in the Marine Corps, and that felt very therapeutic, by putting words to feelings, in a big way.
I think some of my best theatre training has been in the Marine Corps. Not only meeting a bunch of characters, but growing up. You're in really adult situations at a young age, as far as being in charge of people.
You have to be forward-moving and able to balance a lot of things at the same time. I attribute a lot of that to the Marine Corps and Juilliard both.
