For John le Carre, it was always who's betraying who: the hall-of-mirrors kind of thing. When you go back to the '30s, it's a case of good vs. evil, and no kidding. When I have a hero who believes France and Britain are on the right side, a reader is not going to question that.

The false pride of perennial celebration, of wearing flag lapel pins while betraying the values that the flag stands for, is like the self-esteem curriculum for toddlers, where everything is praised and no achievement ultimately has meaning.

Doing interviews about my films really bothers me sometimes, because I have to speak directly and clearly about things I've intended to keep ambiguous, and in a way, I feel like I'm betraying my film.

One of the casualties of Israel becoming an increasingly partisan issue has been American Jews themselves, who vote overwhelmingly Democratic and who see Israel's rightward turn as betraying fundamental liberal values.

There's always been a lot of misunderstanding about Lando's character. I used to pick up my daughter from elementary school and get into arguments with little children who would accuse me of betraying Han Solo.

When I was a punk teenager, I rebelled because lots of people in Iceland think that foreigners are evil and that if you don't wear woolen hats and eat sheep, you're betraying your heritage.

It felt as if my body was, like, literally betraying me because I went from a very athletic, straight-up-and-down little kid to a very curvaceous woman, and it was just horrifying to me.

When I'm at the greatest odds with my body, it's usually because I feel my body's betraying me, whether that's been in the past, struggling with my weight and feeling that I couldn't eat what I wanted to eat, or that I couldn't get my body to do what I wanted it to do.