I think when you're a director, it's hard to do something unless you're absolutely over-the-moon in love with it. The audience, they spend 90 minutes with it, but for you, it's anywhere between a year and a half to three years of your life, every day, working on it.
Whether it's 90 minutes, or a half, 10 minutes or whatever, I want to show what I can do.
I miss walking out of the tunnel, the 90 minutes and the adrenalin rush that I'll never, ever replace.
I knew that, to be the best right-back in the world, I had to improve my fitness so I could run up and down constantly for 90 minutes.
It gives me a lot of confidence to play with my feet, and I have to be focused for 90 minutes.
Of course, not everyone's going to get on but when you crossed that white line it didn't matter. For those 90 minutes it didn't matter what else was going on, we'd do anything to win.
I don't think that anyone should be working out more than 60 to 90 minutes, four to five days a week.
In 90 minutes, anything can happen.
You're out there on a high wire without a net, and that's the way actors operate. They have to be fearless about how they work and they have to create a life for the audience in 90 minutes and make them believe.
My problem with both iterations of 'Dark Phoenix' onscreen, the original by Brett Ratner and the newer version by Simon Kinberg, is, I don't think you can do it effectively in 90 minutes.
