When you're playing upside down, it takes twice the strength.

I was always impressed by some of the progressive styles of guys like Neil Peart.

I've always loved the mixture of crushing live drums with a programmed groove, that really cool blend, like in the verse there's a really funky drum beat that is programmed then it comes in to the chorus; you've got that enormous human feel where the band kicks in.

Playing upside down is insane. It's two or three times more difficult than what's normal. Your feet want to come off the pedals, your arms want to drop down - all of your body is fighting gravity.

The horses forced into the chuckwagon races die of heart attacks, broken necks, broken legs, and other injuries. It'd be easy to get off on western tradition without this bloody spectacle. Dude, it's the Old West, not ancient Rome!

I guess I always think the people that know me or fans that have followed me and know my solo work would know that I've always had really eclectic tastes - even in Motley, dude.

I threw my son, Brandon, a rave for his birthday and I fully set it up like a crazy rave with lights and sound, me and my partner DJ'd - I got Mix Master Mike from the Beastie Boys to come DJ for a bit.