Prior to doing a 'Bond' film, I was a young actor doing classical theater and some BBC dramas. Then, suddenly, I was thrown into this franchise. I had never experienced anything like it.

If you're going to reboot something, reboot it in a totally original way that speaks to a new generation.

Growing up, I went to many schools, and I had to fit in to many different types of environments with totally different social groups. It helps me out as I move from job to job.

Places like the National Theatre or Sheffield, these great engines of theatre, make us cutting edge because they can be experimental. They can do plays that nobody else can afford to do in ways nobody else can afford to do.

I remember going to the cinema to watch 'Blade Runner' when I was 14 or 15. It was a huge flop when it came out. The cinema was almost empty. I was blown away by it.

The Humpback Trail on New Zealand's South Island is really beautiful. It is a 70 km walk over about four days and is fairly arduous. You go through prehistoric forest and up to the top of Humpback Mountain, where there are amazing views down to the Tasman Sea.

That's the privilege of being a grandparent - they can indulge the children while parents have to be the bad guy. Grandparents can also be subversive and naughty with them.

My parents' parents were regular working-class people. I ended up speaking in a certain way, and one gets sidelined into doing certain parts. I think that is really quite narrow-minded.

Screen is satisfying because it's so technical and mysterious. It's like playing roulette: you get a script, you think it's either great or naff, but you have no idea how it will really turn out. On stage, you are your own editor - and you get brief moments of grace, where suddenly you feel free.