The first movie I had a featured role in was Parting Glances.

There's a certain type of character that you can't help but come in contact with growing up and living in Brooklyn and Long Island. A certain mixture of moxie, heart, and a wise guy sense of humor.

What was frustrating about Armageddon was the time I spent not doing anything. It was a big special effects film, and I wasn't crazy about pretending I was in outer space. It feels ridiculous.

When I was in pre-production for Trees Lounge, I was hearing the cinematographer talking with the production designer about colours and this and that, and feeling like I was losing control.

Shooting in sequence, I think it intensifies everybody's relationship, the crew, the actors. You have to be very focused, and shooting at night is a challenge because you get tired. I think it requires a special kind of concentration, but it's also exhilarating.

I don't tend to think of these characters as losers. I like the struggles that people have, people who are feeling like they don't fit into society, because I still sort of feel that way.

My dad had a temper. I have a temper. Most people I know have a temper. And I think it comes out mostly with your family. I don't think it's unique to the Buscemis, but it's something I've been able to tap into when I play certain roles.

Casting is everything. Getting the person that you imagined is this character and then seeing what they bring to it.

The thrill of performing - that's something that hasn't changed for me. That simultaneous joy of creating something and sharing it with an audience - it's the same now as it was then, when it was just my cousins' birthday party.

I've always been interested in character-driven pieces, and my approach to directing is through acting.

I don't think about the characters I choose to play, analytically or consciously.

When I moved to the East Village in the late seventies, I wanted to be a street performer, so I practiced daily. I never did work up the skills or the courage to perform on the street, though.

I think it's important to create an atmosphere where actors feel like they can try things out. It doesn't mean that I'll take every suggestion, but I want there to be some room for actors to grow.