Better to say something simply instead of giving people a bunch of vague metaphors to mull over.

My voice has changed dramatically over the years.

I do a lot of vocal warmups, which are the same warmups I did when I was a kid, because I had a few classical singing lessons and stuff like that, so I know pretty much how I'm gonna be once I get on stage.

I didn't marry someone timid and conservative.

I was halfway through writing a gothic, country house mystery when, out of the blue, I received an email inviting me to audition for the ITV show, 'Popstar To Operastar.'

I had suffered from depression in my childhood.

Obviously, the big hits like 'Shout,' 'Everybody Wants to Rule the World,' 'Head Over Heels,' we play live, so there's nothing new about them to me.

My dad had been in the second world war, had electric shock treatment, suffered from anxiety and was abusive to my mum. I kept a lid on my feelings at school but, when I was 18, dropped out of everything and couldn't even be bothered to get out of bed.

Good, effective pop music isn't just verbal language. It takes a good physical beat to make you feel something.

I can do some vocals in England; I can come across to LA You can do various versions - replace this, replace that. You can use software that almost makes the record for you.

Raoul' sold a respectable 700,000 copies without a hit single. It didn't take off. If you don't sell 8 million albums or 4 million albums again, everybody deems it a big failure.