I think the fundamental part of my technique is my vibrato.
I think it's a sensible thing not to read your fan mail - not to take it too seriously.
I have short hands. That's why I have to bend up to notes; I can't always reach the frets.
I have done some things that I'm very proud of. I don't think you can say any more than that, really.
I go through about two Fender mediums a night because I don't pick straight down; it's sort of sideways, and it shaves them off.
I feel that my playing on the first album was probably some of my best.
I didn't want to get attached to one guitar; I didn't want to have an instrument that was irreplaceable.
I can't say I feel influenced by today's guitar players.
A wah-wah is important as well. I love it; it makes the guitar scream.
A certain death of an artist is overconfidence.
