Superman was never previewed because the producers didn't trust Warners with the film.

I had life threats, because people accused me of approaching Brando as God and his son was Jesus. I literally had people saying my blood would run in the streets for doing that.

I realized what you could do in motion pictures by surrounding yourself with geniuses.

I'm open to comments. I'm open to objective points of view, because I've been very narrow and very subjective.

It was 1978 when Superman came out, and I kept thinking, Why don't they do something about it? They've done all these crappy attempts at comic book film adaptations. What can we do different? Why don't we just re-release this thing?

It's developing a relationship with actors that makes it work.

Working with Christopher, he convinced me he could fly, and he's convinced me he's going to walk again.

I was painting sets, working in editorial as an assistant, driving their trucks, lying that I knew how to drive a truck, and doing commercials and documentaries.

I was really disappointed that Warner Bros. didn't think highly enough of my film or my filmmaking to ask me to make the new Superman.


If you had the opportunity and some talent, there was no way you couldn't progress, because it was an open market. There was the advertising world, and there was the documentary world.