Growing up, I was surrounded by music by the Stones, Carole King, and the Beach Boys. I didn't know who Michael Jackson was till I was about 13.


I don't have any irrational fears. Obviously, if I was walking through the outback, and I saw a snake, I wouldn't go up and stroke it, but I wouldn't run screaming from it, either.

Everyone talks about the big three-oh with dread - but it's exciting. It feels like life is much more put together. Everyone's like, 'Wouldn't you like to be 20 again?' But no way.

The '60s look wasn't something I consciously chose, but in my late teens, I found myself styling my hair in a retro way and liking clothes - the shapes and silhouettes - that were from that era. They just reflected who I was.

The first thing I look at with a project isn't who's directing, whether it's a big film; it's the character and whether I want to tell her story.

I love the '60s - that's my comfort zone as far as dressing goes.

You're sent scripts, and for some, as soon as you start reading them, you feel an instant connection to the character. You know who they are, you know how to play them, and there is instant enthusiasm. Then, at the audition, you don't have nerves because of that natural affinity.

The most romantic thing someone did was surprise me at the airport, after being away for 3 months in Los Angeles. You always see people with signs, and you're like, 'Isn't that lovely?' and then you see your own name on one - that isn't a taxi driver's! I was very impressed.

All the other characters are so well-rounded, and it's just frustrating because female characters aren't. It's not that they're badly written, they're just underwritten. They have no internal monologues; they could be absolutely anyone.