I have a very large forehead. I have a pronounced skull. Maybe producers think that there is a lot going on up in there.


You figure out what your standards are, and I think that's important.

It's like, the more you commit, the happier the animators are; if you're at all iffy and concerned, then it doesn't free them up to do as much fun stuff, so you have to just go for it and, again, trust the people around you and not be seemingly guarded and numb. Throw caution to the wind a bit.

I have more artistic control in a smaller show. But it doesn't really matter. Sometimes you can have the smallest role in the smallest production and still make a big impact.

I'm a very lucky man in this chapter of my professional life, 'cause I get to do jobs with wildly different skill sets.

In my 20s, I mostly ate burritos and nachos, with the occasional burger.

So I've done my fair share of theater. I have also been very fortunate in that I've been able to come to New York two or three times a year just to see as many shows as possible. I think the live theater culture here is incredible.

Rather than ignore those who choose to publish their opinions without actually talking to me, I am happy to dispel any rumors or misconceptions and am quite proud to say that I am a very content gay man living my life to the fullest and feel most fortunate to be working with wonderful people in the business I love.

I'm probably my biggest critic. I worry that if you spend any quality time reveling in good things then karma will slap you upside the head, so I try to stay as even keel as I'm able.

I felt a little green, because Shakespeare writes the thought process within the text; it was tricky not to think of what to say and then say it, and instead just deliver the lines.