There is nothing called negative character. The negativity and positivity exists in all of us.


I love observing people. Each face tells so many stories. It lets me understand emotions, and that, in turn, helps me apply my skills as an actor.

My job is to work hard and be honest with my character, and that's in my control. I can only try to give my best performance.

I was introduced to cinema by C-grade films that played in my village, Budhana, in UP. Only films by Dada Kondke, Mahendra Sandhu, and Kanti Shah were available.

I feel satisfied after achieving something difficult.

Background scores allow me an absolute flight of the imagination, and I travel in my mind's eye. I do not like the scores to have vocal notes, because they act as a limitation to these flights of fancy.

Looks is a matter of perception. At Cannes, Europeans think I am good looking, while in India, I am not.

For me, as an actor, there is no commercial or independent or art cinema. For me, it's a character that is given by the director. And it is a task for me that I have to fulfill it to the best of my ability regardless of the kind of film that it is.

My experience has offered me the sensibility that encourages me to try newer characters.

My character should not be ordinary, cliched, and if I feel that it's difficult to do this character, I take up that challenge to get into his character.

I prefer if friends come over to my office and we talk our heart out over a cup of coffee. I feel that no one talks freely at industry bashes. Everyone has to behave in a certain way, and I think no one is real there. We can't have heart-to-heart conversations, and I start feeling uncomfortable at such dos.