Audrey Hepburn is a huge influence on my style. She's classy, confident, and simplistic. She's a tomboy and also super feminine.


My dad gave me the 'Introducing Dionne Warwick' album when I was, like, 14. It was the first time I'd heard Burt Bacharach's songwriting and her voice, and it rocked my world. She's such a great singer and communicator. It really helped me shape my own style.

That's what's so wonderful about collaborating: your idea can explode and become something else.


I wasn't taken seriously being the only girl playing in band growing up.

Who doesn't love a Disney princess, and who wouldn't want to be one? Belle is my favorite. She's the smart, awkward, and adventurous. She doesn't have too many friends - goes off and hangs out with talking silverware. I think it's great.

Nashville has pushed me to improve constantly as few other places could, and I'm grateful for that.

When I made dog sweaters, as goofy as that was, I made this product, and people could buy it, and I got money immediately. Music was just this ethereal land of maybe, a lot of waiting and waiting. You live your life around hoping you get a five-thousand-dollar royalty check that usually doesn't come.

My dad had his own business and was extremely busy, but on a very rare occasion, he would play guitar and sing a bit. I was always fascinated by it. I wrote my first song in first grade because my dad was making songs up during those special moments, and it seemed like a fun thing to try myself.

I'm definitely someone who's really picky about who I work with and how I want things to go, because I have a high standard of integrity for my music. I want it to be genuine.

After graduating college in 2010, I got to work - writing and co-writing all the time, playing and touring in bands, playing for other people's bands, working in coffee shops all over town.