Many cultures believe that on a certain day - Halloween, the Irish Samhain Eve, Mexico's 'Dia de los Muertos' - the veil between this world and the next is especially thin.

Halloween isn't the only time for ghosts and ghost stories. In Victorian Britain, spooky winter's tales were part of the Christmas season, often told after dinner, over port or coffee.

For those of us with an inward turn of mind, which is another name for melancholy introspection, the beginning of a new year inevitably leads to thoughts about both the future and the past.

Mentoring is the last refuge of the older artist. With luck, disciples will keep one's books in print, one's reputation alive.

When I come to visit my mom - every two or three months - I generally spend five or six hours with her each day. She's always immensely glad to see me, her eldest child, her only son.

In my younger days, I used to visit record shops and covet boxed sets of Beethoven symphonies, Wagner operas, Bach cantatas, Mozart piano concertos. Only rarely was I able to find the money for such luxuries.

I love the look of books published by the firm of Rupert Hart-Davis: They strike me as handsome, elegant, and inviting. I'll pick up almost anything with that imprint, especially if it's in a jacket or priced low.

I don't think of myself as a critic at all. I'm a reviewer and essayist. I mainly hope to share with others my pleasure in the books and authors I write about, though sometimes I do need to cavil and point out shortcomings.

I've always liked an easygoing, colloquial style. I like the kind of reviewer who is essentially a fellow reader, an enthusiast, a fan.

My gift, if that's not too grandiose a term, is one for describing novels, biographies, and works of history in such a way that people want to read them.

For years, I meant to read 'Arabian Sands', Wilfred Thesiger's account of two punishing camel journeys during the late 1940s across Southern Arabia's Empty Quarter. Now that I have, I can sheepishly join the chorus of those who revere the book as one of the half dozen greatest works of modern English travel writing.

It is a truth universally acknowledged that M. Dirda is a sucker for anything bookish in the way of artwork.

I've been slightly obsessed with paper and notebooks. Among my most precious possessions is a small light-blue, breviary-sized volume - four-and-a-half inches wide, seven inches tall - made by a company called Denbigh.

Young people looking for adventure fiction now generally turn to fantasy, but for those of a certain age, the spy thriller has long been the escape reading of choice.

Back in the 1950s and '60s, J. M. Barrie's 'Peter Pan' - starring Mary Martin and Cyril Ritchard - was regularly aired on network television during the Christmas season. I must have seen it four or five times and remember, in particular, Ritchard's gloriously camp interpretation of Captain Hook.