You know, I watched the original 'Same Time, Next Year' on DVD about ten times this year, and I cried all ten times.

I played acoustic guitar so intensely, for so long - for nine hours a day as a 10-year-old, writing songs through the night, on tour constantly from when I was 19 - that I destroyed my arms and shoulders in the process.

I'm not someone who feels that unless I am anxious or depressed, there will be no creative drive. My greatest desire in the world is that my desperation goes away, and I can be happy.

I'm interested to see what happens to Spike Lee with limited resources, you know? I love Spike Lee's movies. But you know what? I kinda liked his movies when he used to scramble and fight more for them.

I question every move. I'm constantly second-guessing myself.

The challenge for me as a parent of two girls is to establish enough structure in the house so that things don't go haywire... but at the same time, as a dominant male figure in their life, let them know they can topple the king.

I think 'Cyrus' has a lot of fat in it. It was a $7 million movie. If you're going to make a movie with famous people, you don't necessarily need to spend 7 million dollars. Make it for less than that, and you'll be able to sell it and make a ton more than that, and everybody shares the profits.

When you're improvising, it's fun to find something that you can lean on that is similar to your life experience. In my opinion, that's very helpful.

'Somewhere in Time' is in the top-five cheesiest movies ever made. It's super melodrama.

If you're locked to the words on the script, as good as those scripted words are, if you didn't have the time to rehearse them correctly or if the perceived dynamic between the actors is different from what the writer imagined, and you're not allowed to stray from that, you're going to have a stilted scene.

I would say if you have a dream - and whether that is you want to be some sort of artist, or you want to start a start-up or a business, anything that very much feels like it's uniquely yours and you may not be able to get traction going through traditional channels - the way to do it is to build it brick by brick on your own in microsteps.

'The One I Love' came out in theaters for the enthusiasts and did a chunk of business on VOD. But when it started streaming on Netflix, it exploded. Same thing with 'Safety Not Guaranteed.'