I do love being amongst creative people and facilitating that and being inspired by people. I get very bored with just competence and require inspiration all around me.

Stephen Sondheim is calculus for actors. The words are witty and brilliant and profound but complicated.

Producers should have the courage of their convictions. See your project through to its fruition. Seek help and be generous enough to take on collaborators and not be territorial as you're learning.

Winning an Oscar attracts the attention of directors and other actors and creates a boost in salary, particularly for someone like Halle Berry. For an established star like Denzel Washington, the benefits are less tangible.

Watching familiar characters take unexpected turns is very appealing.

Some of the metaphors you find in 'Wicked' - how those in power can exploit fear in others to maintain their power - I think, as Jews, we've seen that historically on more than one occasion.

'A Christmas Carol' and 'It's a Wonderful Life,' are movies we love with magic in them.

My personal challenge is always balance. My life has a lot of compartments to it, and I care about each of them deeply. So I wake up each day thinking, 'How am I going to balance today?'

Even in a manuscript form, 'The Girl on the Train' sort of leapt off the pages as a contemporary suspense drama-slash-thriller. It has all the mechanics of a thriller, but at the heart of it was a great character study.

The character we've always thought of as the Wicked Witch of the West is a green girl who's actually very good, misunderstood, and trying to make her way in the world. She's an outsider looking in, wanting to be loved. That's a universal experience that everyone's felt at some point in their lives.


It was just the DNA of my family. Giving back didn't feel like an entitlement; it was an obligation.