The point is that filmmaking is a collaborative effort; it isn't about imposing your vision on other people. It's about the talking, you know?

Moviemaking is a dirty, tiring affair. The joy comes from the possibility to be free on set and really let loose.

Spare functional furniture, in my opinion, is the genius of 20th-century design.

The concept of making a movie in which the director dictates is kind of exotic - and absolutely not truthful. Directing means allowing a great deal of collaboration and listening and having the ability to change your mind.

In 1993, my first documentary was about the civil war in Algeria. That was in French and in Arabic. Another short film I did was silent. What I'm trying to say is that, yes, I'm Italian, and yes, I make films with Italian money, but personally, I've always been invested in the broader world of film-making.

When you have great performers and have set your movie in the right direction, it's a beautiful privilege to let the camera watch the action unfold without spoken words.

I don't much like post-modernism, because post-modernist has become the basket in which every mediocre person can shuffle things and pretend to do something significant, and we could also mention who use post-modernism in this way - maybe we shouldn't.

I am a film director, and I work with a visual language, with a visual medium. And I try to make virtue of the use of this visual medium. And I try to make sure what I do speaks the language of cinema.

I think we shouldn't be shy of thinking that we can interpret text like a movie again, depending on the point of view and what we do with it more than anything else. Of course a lot of remakes of important films, particularly of horror films, they suck.

I come from a petit bourgeois family, and I've always been drawn to artists and people who choose their own way of life instead of being chosen by the lives that people want for them.

The concept of muse is alien to me. To speak of a muse implies there is a couple in which one person is the objectified passive element - there to help the creative, active, often male part of the duo to create. A muse is very passive. Who wants a muse? I don't want a muse.

I have a number of projects that I've been dreaming of making ever since I was a child. But I am also very open to the chances of life and the chances of my profession.

You know when they say you need to put people who go well together? I much prefer to put people who fight at the table. Then you have some sort of sparkle at the dinner!