Gilmore Girls' was really a training ground for so many things. It's a real endurance lesson.


It can be very thrilling being able to witness Viola Davis do her thing for hours and hours, but there are also no windows, and you're just in a room for fourteen hours trying to keep it together.

I did feel like I had a relationship and knew so many people in 'Shondaland,' and that certainly made me feel very welcomed.

Smart writers really take their time in investing in backstories and characters. As a viewer, you have to invest in them and love them before you can chip away at what's going on more on a deeper level with secondary characters.

The interesting thing about a lot of serialized television is that it's a blessing and curse.

I think I can get a little passionate about things that I believe in and maybe that can be a little intense for people. And I think a lot of that stuff comes out of the need of wanting to belong, and being insecure and uncomfortable.

The thing that's the most lovely to me, looking back at my time on 'Gilmore Girls', was how fortunate I was to be a young actor and to be on a show that made it really cool for girls to be smart.

I think I'm starting to be able to stand a little taller. I feel like I paid my dues and I feel like I deserve to be where I am. I feel like I've worked really hard.

Gilmore Girls' felt very apart from everything else that was happening. I felt very lucky to be able to be on a show dealing with those issues. I was proud.

It's a lot of feelings, I think, when people so strongly associate an actor with a character they play - but the main feeling is I feel very happy that I've been able to play somebody that people connect so strongly to.

But yeah, it's funny because I used to talk so fast before 'Gilmore Girls' and it took me several years of auditioning and being comfortable in auditions to sort of take my time because I would just go into it and rush, rush, rush.