James McBride's 'The Good Lord Bird' is set in the mid-19th century and is based on the real life of John Brown, the one who lies a-mouldering in his grave.

If Franschhoek has a fault, it is in the lavish refurbishment of wine farms and estates which has reached absurd proportions. Some, like Graf Delaire Estate, are brand new, with jewellery shops, indoor streams, and very high-end lodges for rent at prices not many South Africans can afford.

Franschhoek Valley was, in recent memory, a simple place with some notable vineyards and two or three streets of Victorian cottages and a few older, thatched houses. The valley was settled early in the 1680s by Huguenots fleeing repression.

Franschhoek - French Corner - is a place which serves South Africans as a kind of sophisticated fantasy, an alternative version of what life could be. The small town is enclosed by wild mountains, at this time of year blue and dusty green.

Jim Crace's novels have one thing in common, which is that each is set in an entirely original world. None of these worlds is of a specific time or place, but they seem to have some connection to our own lives.

The druidical claims for Stonehenge seem to belong to that bonkers-but-persistent strand of Englishness that believes there is something particularly mystical about the English themselves, who were clearly a chosen people.

Transport is not a ministry the ambitious should accept: no transport minister has gone on to be prime minister.

Tom Fort, a BBC radio journalist, starts from the assumption that 'many of us have a road that reaches back into our past'. For him, this is the 92 miles of the A303 - as he subtitles his book, the 'Highway to the Sun'.

It is surprising how many people who don't read believe they have a book in them. Why? Nobody would imagine that Alfred Brendel took up the piano on a whim at 25 when he found accountancy unpleasant.

In Sydney, I gave what was billed as a masterclass to bright students of writing at the University of Sydney. But the term 'masterclass' was possibly over-egging the pudding. All I could do was pass on some lessons from my own life, and the most obvious is that if you want to be a writer, you must first have been a reader.

We authors certainly don't know what is going to happen to our books. Are they going to disappear into the ether, following music downloads, or are ebooks going to open up a whole new world of readers? And how much are we being paid per copy? We haven't a clue.

'A Just Defiance' has been a huge success in South Africa. While reading at times like a well-written thriller, its significance is to reveal apartheid to have been far more brutal, ruthless, and self-serving even than we had suspected.

A connection between poetry and blindness is a classical trope.

'Homer and Langley' is the work of E. L. Doctorow's old age. There are fewer Homeric references than you might have expected, given that the narrator is called Homer Collyer and is blind, although, like the classical Homer, not born blind.

'Point Omega' starts in an art gallery, where an unnamed man is watching, day after day, a 24-hour version of 'Psycho,' an installation that was created by the Scottish artist, Douglas Gordon. In it, the events and the minutiae of Hitchcock's film are painfully slowly reproduced; the watcher is obsessed with the detail revealed.

America is the big subject of the second half of the 20th century, tackled in one form or another by all the great American male writers. You could make a case for saying that it was the only game in town - from Bellow to Roth to Updike to Richard Ford - America was more or less explicitly the leitmotif.

Just before the opening of the 20th century, the Collyer brothers, Homer and Langley, are born into great privilege on the Upper East Side of New York, in a mansion overlooking Central Park.