Dancing is bigger than the physical body. Think bigger than that. When you extend your arm, it doesn't stop at the end of your fingers, because you're dancing bigger than that. You're dancing spirit.
Dance is not endangered - it will always find a way to express itself.
You have to dance unencumbered. There's no other way to move. The idea of dance is freedom. It is not exclusiveness, it's inclusiveness.
As a dancer, you really try to stay true to whatever the choreographer/artistic director is giving you. So, now the shoe is on the other foot and I have to trust everyone else - I have to trust the dancer. As I was trusted as a dancer, I trust my dancers.
I believe God has a path for me. He's always had a path for me, and I've always been in the right place at the right time - not because of my efforts, but because of my preparation and because of the guides that I have, the mentors that I have, the spiritual walkers that I've had all my life.
You wake up white, and you think about certain things every day. You wake up black, and you think about certain things. You wake up Chinese, and you think certain things - but those things aren't major. What's major is that you are good at your craft.
Dancers use their bodies in extraordinary ways, so we are chronically pre-arthritic, because of how we use our muscles and our bones.
Since babyhood, I've always evolved from one thing to another. My mother gave me ballet lessons at 6 as part of her enthusiasm for the arts and for life. We went to museums, to the theater. While her own talent was untapped, she worked for church causes.
I want to know who you are as a person, and then I want you to develop as a whole human being.
Strive for perfection. Nobody's going to be perfect on this earth. But strive for perfection.
My idea for the Jamison Project was rather like a pickup company. The idea was to give the dancers a taste of the menu. Today, dancers need to try as many companies as possible without having a drop-dead loyalty to me or anyone else. They like to have the leeway to go their own way.
We're dancing from here, from inside, not from outside. You could look at anybody throwing their leg and kick their leg up and a million pirouettes and do all kinds of tricks and stuff like that. But that's not what dance is really about.
People don't remember me for how high my legs went, even though they went up very high, and how many pirouettes I did. They don't remember me for that. They remember me and any other dancer because something touched them inside. It's an indelible memory on the heart and in the mind.
At 10, I could walk down the street and see over everybody's head. I don't remember being little or having to look up at people. I think I was born 5 feet 10. It's not that I felt especially tall. I was wondering when everybody else was going to catch up.
I haven't had a family, but I don't think of that as a sacrifice: my dancers are my family.
If people all over the world, year after year, request that you do 'Revelations,' you do 'Revelations.'
I've danced all over the world, and people are people. We cannot cut off from each other in life. In order to lead, you can't do that.
I've been in a competitive situation almost all my life. I've been having a competition with myself and trying to be the best I could be.
We can go on talking about racism and who treated whom badly, but what are you going to do about it? Are you going to wallow in that or are you going to create your own agenda?
People come to see beauty, and I dance to give it to them.
