When marginalized people gain voice and center their own experiences, things begin changing. And we see this in all kinds of grassroots movements.


There's power in naming yourself, in proclaiming to the world that this is who you are. Wielding this power is often a difficult step for many transgender people because it's also a very visible one.

Like many teens, I struggled with my body and looks, but my despair was amplified by the expectations of cisnormativity and the gender binary as well as the impossibly high beauty standards that I, and my female peers, measured myself against.

My personal style really started in my teens when I gained purchasing power to actually buy my own damn clothes. For so long, my parents dictated what I wore, which largely was their way of containing me within the gender binary.

Our differences are what make us great. Let us think about how we can extend this appreciation to people of color, undocumented immigrants, and other members of the community.

We are all part of a larger collective looking to create a more beautiful and just world.

When I was younger, I wish I would have been told more often that I was right and nothing was wrong with me, that I was deserving of everything this world has to offer, and that my visions for my future were worthy of pursuit.

Hawaii was so integral to my journey. I was just there at the right time.

I grew up at a time in Hawaii where there were trans women around, so there were visible role models for me. At the same time, as a low-income trans girl of color, there were so many things that I didn't have access to. I didn't have access to a great education. I didn't have access to affordable healthcare.

Once, when I was 5 years old, a little girl who lived next door to my grandmother dared me to put on a muumuu and run across a nearby parking lot. So I did. I threw it on, hiked it up in one hand, and ran like hell. It felt amazing to be in a dress. But suddenly my grandmother appeared, a look of horror on her face.

Media gatekeepers - editors, publishers, film studios and the like - need to begin investing in talent behind the scenes, developing and resourcing marginalized voices to tell their own stories. At the end of the day, it's about the story and what will enable the audience to truly see, understand, and know the life and times of the subject.

When I was a toddler, my father cut hair in the townhouse we had shared together in Long Beach, California, where Dad was stationed with the U.S. Navy. The buzz of clippers consistently hummed as he gave fades to his coworkers, my uncles, and my brother, but his clippers were never oiled and plugged in for my head.

Great conversations always spark in a genuine interest to recognize and know the other person's story and, therefore, recognizing and understanding and celebrating their humanity.

Toughening up, performing masculinity, pretending to enjoy things I didn't enjoy all enabled me to dodge the gender policing of the adults around me. But the way I really was - the swished hips, the Double-Dutching, the hair flips - seemed to always prevail and attract Dad's disdain.