I hate not working. It's that lack of purpose. It becomes very easy to lie in until midday.

To walk into the hall of mirrors of Versailles as Louis XIV and deliver a monologue on your own in an empty hall of mirrors is like no other experience.

I guess if you have had a good education as opposed to someone who hasn't been to school, you start off on this journey having studied Shakespeare for years and years or studied classics. I suppose why people see this big divide - the boarding school boys getting all the roles - is because they feel like some people have had a head start.

I got makeup tests and hair tests for 'Versailles,' and the main thing they were obsessed with was that my hands were disgusting. I had three years of Irish dirt under my nails. I had to have manicures and everything.

I've always wanted to explore North America. I drive a motorbike and have always wanted to spend a couple of months exploring the continent on two wheels.

Sometimes when you're stood in front of 100 people, delivering a speech with rage and lots of emotion, that can be utterly terrifying. I find that very scary.

I have such a sweet tooth, which is a nightmare when you're trying to be good.

Essentially, Louis XIV created exclusivity. If we look at how we live our lives today, many of us are members of clubs or gyms. We search out exclusivity. He created the world of fashion at Versailles.

Modern audiences are so intelligent. They work at such a fast pace that if you don't give enough stimulus at a breakneck speed, they will become disinterested.

I think there's something nice about singing for a kind of particular purpose.

It's bizarre: sometimes I go through periods where I really want to put a song up online, and sometimes I'm sort of busy with other things... It's very much a hobby, that kind of thing. I sort of post it more for maybe my mom's benefit, and suddenly she says, 'It's got 50,000 views.' And I think maybe I should've put it as private.

Sometimes it's hard, when you start engaging with people on the Internet, to forget that, actually, we really don't know one another... that's something I need to learn a lot more.

When I was about ten years old, I was brought to London to watch a production of 'The Lion, The Witch, and the Wardrobe.' I think it was at Sadler's Wells in maybe 2000. I watched it because my school was putting on a production of it, and it was the first school play that I was able to audition for a speaking part.