I've played Frankie Cosmos shows where the promoter or whoever sees that I'm the lead singer, and then they go up to David, the bassist, and are like, 'So, do we pay you?' And he's like, 'No, you pay her; she's the boss.' Those are moments where I'm just like, 'I'm clearly in charge.'

I definitely think that touring is a really crazy lifestyle and makes it hard to live a normal life and have relationships and friendships.

I don't actually have problems dealing with corporate situations. There are times I've railed against it, but there are other times when I'm like, 'I'll take your money, no problem.'

The thing is, I feel like it would defeat the purpose of being a musician if I let any kind of fear of failure affect my songwriting or making an album or whatever.

If I could have a record that represents every stage of my life, I'd be putting out one a month. Everything is always changing, and so is the way that I feel about stuff.

It's even easier to write about the past now that I'm happy and have better stuff to write about. That's why someone like Bob Dylan can make so many records over so long a time; it's not like he's been sad all this time. He's really successful!

I don't really understand how to do bureaucratic things - school-system things.

I never was interested in acting, and I never became good at it.

The first music-learning thing that I took seriously was piano lessons when I was a kid. I guess that was probably the only time that I was forced to perform music, because I had piano recitals, and my school also had mandatory music classes that had some performing required.

Performing is something that has really grown on me and become an important part of my life, which I didn't used to feel. I didn't used to want to really perform live a lot. It's been an interesting adjustment.

Sometimes I'll write something that's purely autobiographical, and sometimes pure fiction, and sometimes a mix.