'The Moon Rabbit' is laying against the bunker, dreaming and thinking about life and dreaming the impossible possible and creating its own true stories.

I make big objects that are simple, bright and clear, kind of ironic but hopefully funny because I love the shapes, and I get inspiration from toys and books, and I believe in art for everyone.

My sculptures cause an uproar, astonishment, and put a smile on your face.

I want people to get inspired by public space - their space. People tend to forget about it because they do the daily thing, but putting up these sculptures breaks the routine.

The slugs are ascending this steep city staircase that leads up to a huge Catholic church, essentially signifying their slow crawl towards death. The work reminds us of religion, mortality, natural decay, and the slow suffocation of commercialized societies.

I used to get a lot of rubber ducks on my birthdays as presents because, you know, I make rubber ducks. But then I get the ugliest ones with a neck, ugly colors, and devil ears. I don't like those.

In Holland, we have a saying: 'A knife cuts on two sides.' With the rubber duck, I'm trying to show people what they haven't been seeing in their public space. When the rubber duck is there and when it's gone, you know.