When I'm in the audience of Broadway shows, I feel like I'm in the presence of something really special with artists working at the height of their craft and doing the best work that they possibly can.

One of the things I've found about SpongeBob's movement style is that, in addition to being animated and sort of stretching and squeezing, he's really based on the classic silent comedians, physical comedians.

I'd like to think I'm optimistic and imaginative.

The process of finding my voice as SpongeBob was to start by watching what Tom Kenny did, trying to do an impression of sorts, and then forgetting all about it and letting the voice become a second-nature thing.

My mother passed away when I was seven. She had a piano in the house that she was teaching my sisters how to play. That was where I first encountered music, through her.

I've gotten to meet Sara Bareilles a couple of times. I'm just a such a massive fan of hers, from her albums to 'Waitress' to everything that she does. To be a fan of somebody and then find out that they have a good heart and are kind is really heartwarming.

The whole cast and creative team were definitely aware of the 'This is the death of Broadway!' kind of thing about 'SpongeBob,' but we've been really ready to change people's minds. I'm really proud of being part of something that took the most creative route to a commercial entity.

To be honest, it was a little bit of a surprise to me that my Broadway debut was a musical.
