Growing up in Canada, none of my family were performers or anything like that, but I was terrible at hockey, so they needed something for me to do on Saturdays for me to get out of the house. I signed up for theater school on Saturdays, and I'd go for four-and-a-half hours every Saturday morning and learn about theater.
The great thing about being a lead is getting to go to work every day and have fun.
You can't just blame things on evil. Everyone's a human, so when people say that somebody's behaving 'inhuman,' it's not. It's very human - it's just not a very nice side of it.
The best thing about doing those Hallmark movies is my dad loves them. My dad watches all of those Christmas movies, not just ones I'm in. He watches them all, so the first one I did, it was like my Christmas present to my dad.
You dream about getting to be a part of really solid projects.
I did my first professional play at 11, and there was really nothing else I ever dreamed of doing. I felt so fortunate that I knew at the age of like, 12, like this is all I want to do for the rest of my life; that's the only play. There's no backup plan. My mom wanted me to go to school and have a backup plan. I'm like 'No, this is the only plan.'
Movies are a big thing in our house. Every Friday, we do family pizza night, and we make pizza from scratch, and then we sit down and watch a movie.
I had a friend who had done the cinematics for 'Splinter Cell: Conviction,' so he kind of indoctrinated me into the series. I did a bunch of temp stuff for him - I roughed stuff in the game for him, playing about nine characters - just so he had some character templates to work from.
When a lot of people watch these Victorian-era shows, they're in love with the costumes, the romance, the whole sweep of it all. But there is nothing nostalgic about 'The Knick' at all.
Actors are almost conditioned to get their director's approval. 'I just did my song and dance, boss. What did you think?' Actors are infantilized so much.
I realize I live in a bubble, and all the opportunities are there to me. And having done a number of popular TV series, I'm mildly famous in certain situations, and lots of doors open to me.
At the end of the day, you're saying lines and playing pretend. All that varies from show to show is the level of the intensity and the terms of the expectations you place on yourself.
One of things that drives me nuts is you rarely get bad guys who are written very well.
I'm resigned to the fact that I'm gonna be the person in shows that people hate and dislike and root against. And I'm OK with it.
Sometimes it's tough as a supporting character: you are on the sidelines, and you don't get to be there for most of the fun stuff. You are hearing about all the great stuff that is going on, but you never get to be a part of it.
It's pretty amazing to see something in your head and write it down, go out and shoot it, then see it on the big screen. It's a pretty amazing feeling.
It doesn't feel good to be a horrible, violent, misogynist person.
I have played my fair share of bad guys, or at least the nemesis.
I've played horrible people and done horrible things, and there were moments on 'The Knick' where it was super uncomfortable - some of the things I had to do and say.
As a performer, I'm happy if one person gets to see the work I do, but to have lots of people see it and appreciate it, it feels good.
