I'm never bored, never ever bored. If I've got a day off I'll sit in a cafe and watch and observe. I'm a great observer.

I think it's very dangerous, the idea of celebrity - you have to be constantly controversial to maintain the status of celebrity. Reality TV is the death of entertainment - it's just mindless TV but popular because of its voyeuristic nature, and people are very voyeuristic.

That's the thing about film acting and television acting. You just release yourself and do what is true for the moment, and ignore everybody and everything and all the technical razzmatazz that goes on.

I've always been short and stocky. So when I got into repertory theatre after graduation, I found myself doing character roles: because of my deep voice, shape and height, I was playing 40-year-old, 50-year-old roles at the age of 23.

A successful swindler has to be a great salesman even more than a great actor.

I'm not an evangelist Christian at all. I can't try to convert anybody. It's not in me to do that. But my faith has given me such an appreciation of people and meaningful relationships, and a world view which I didn't have before. And although I will fail every day, it gives me something to aspire to.

When I was 18 and not sure whether I wanted to be an actor, I realised that a playwright has no voice without an actor. That's my reason for acting: to get that character as right as possible for my writer. And I have never changed my philosophy.

I love music, especially classical like Verdi; it's a great way to relax.

I became fascinated by the fact that people write to give away rather than write to be read. It's the difference between playwrights and novelists.

I'd love to be remembered as a character actor who brought illumination to roles in wonderful plays and who delivered performances that made people think and rethink those roles.

The joy of my career is I've been very blessed to be able to be an actor in major films, television, theater, and also British radio. In fact, my dream as an actor when I started out was to be able to work in all the media. Thankfully, that's what I'm being given to do.

When you're doing characters from famous novels, you have a responsibility as an actor to make it what the writer intended. And then you add and expand from there to create a three-dimensional performance.

I was a typical teen growing up in the 1960s, when everybody was into gurus and meditation.