Neutrogena Ultra Sheer sunscreen makes me feel like I'm getting supersonic protection because I am so, so pale and need all the help I can get!

I think it's important to have conversation about things instead of shutting things down.

When you're auditioning, hold on loosely. Work hard on it at home, like you always do. But when you're in the room, let a choice happen to you rather than forcing a choice that's not ready to come. You'll surprise yourself and, hopefully, the people in the room.

I watch a lot of television. I love doing it, obviously, but I really love watching it.

Auditioning is so different than doing the work in some ways. It's very much about solving the scene, I think, and coming in with a strong take, but not having it set in stone.

Before I do episodes of 'The Good Wife,' I talk to the director and say, 'I'm trusting you to let me know if it's too much! I won't be offended.' So I put myself in their hands, and most of the time they let me do my thing, but sometimes they'll say, 'Let's try this.'

If there's one thing that I know how to do, it's talk to actors. From what I have experienced working with so many different directors in so many different things, a lot of them don't really know how to talk to us.

I learned from master teachers at the University of Evansville, at Juilliard, at Shakespeare festivals all over the country, eventually landing at Shakespeare in the Park in N.Y.C. That show transferred, so I got to make my Broadway debut doing 'The Tempest' with Patrick Stewart.

Although I have been doing plays since I was 8 years old, it was only when I started doing Shakespeare at age 19 at the Georgia Shakespeare Festival that I felt like my career started.

I played the ingenue, of course, when I was young - but even with those, I tried to make interesting choices and mess them up a little bit - make them layered and complicated and not all stereotypes.