I think that's a great opportunity, to pick a script where you can build up a good skill. I think the main thing I look for when I look at scripts is if it's inspirational. If it's something that teenagers can relate to. And is it something that the audience is going to get something out of. If not, then it's really not worth doing.

Harrison Ford is absolutely amazing. He is a Hollywood icon, and just to work with him was absolutely incredible.

Everybody always talks about how they can't wait until they turn 18, so they can go out on their own and get their own apartment, and I'm like, 'I want to be with Mom!' I have it good.

I've now been doing this for ten years, and I actually got to skip a stage of going to casting directors, and now I meet with the directors, either for lunch or an audition room, and I still read sides; you're never going to get around that, but I'm not the best person to go on an audition.

I would never try and do a remake off a movie. I think that's a whole different thing. I think everyone will always remember the first movie, and they will always compare it with the second one.

You really can't do a remake. I mean, 'King Kong' needed its turn to be remade. It needed an update. But the 'Bad News Bears,' or 'The Shaggy D.A.,' those are classic movies. I think they did a good job of remaking them, but it's just not the same thing. Nobody can top Tatum O'Neal. It just isn't the same.