I'm not ready to do any compromises for my work.


When I was a little girl, I loved monkeys. I wanted to be a primatologist. I went to the careers office to ask how. Because nobody could give me a good answer, I opted for acting.

Because I don't do five films a year, people maybe think that acting is not essential to my life. But if I worked any more than I do, I'd have no personal life.

The Da Vinci Code' was a great experience and I was lucky to be chosen, but I don't like the pressure that goes with all these big things. I don't want to be any more famous at all.

It was very difficult to go from relative anonymity to such huge success in such a short space of time.

When you look at the comedies that are out there, 99 per cent of the time, men are the heroes. It's often thought that a woman can't be funny, that women are supposed to be sexy, not funny.

I like when an image could be just one of several others which would create a story. That you can imagine who are those people or what would happen before, what's going to be next; I like when there's a past and a future that we can imagine when we see photos.

I think for everybody celebrity, fame, is a dream. People see it as a blessing.

In certain environments young adults can't choose their lives because of family pressure. In the bourgeoisie there is still a sense you will marry within that milieu.

You are supposed to have a dream of walking the red carpet. But I'm really not like that. Because fame is... I don't think it is something interesting or precious.