If I set off to do something, why not do it properly? Otherwise, what's the point?


I'm never short of inspiration. There are always new ideas - and new adventures.

The architect who first inspired me to follow this profession was Sir John Soane and his Regency home; well, his three homes, now a museum. The place is like an encyclopedia of paintings, antiquities, furniture, sculptures, and drawings.

The building I most admire is the Doges Palace in Venice, both by day and by night. Looking at it from the lagoon, it resembles a floating kilim carpet. I love all the bridges which connect houses, people, gardens and palaces. I also love moats to isolate yourself. A ha-ha for secrecy, as in every English country garden.

A house must be bedded in the landscape. They both have to work together. In and out, every view from a window has to be sensational. Every view into the house must be the same to ensure continuity.

I don't let many people in. I don't discuss everything. If I don't want to discuss it, I'm not discussing it. I think that annoys the hell out of an awful lot of people.

I like people. Listen, if you're a hotelier, if you're a creative person, and you're working with the things that I do, then you have to like people; otherwise, you simply can't get anywhere.

I love to get on the road, but I also think arriving is such a thrill. Turning up at the train station in Mumbai, for example, to see people hanging off all the wonderful old carriages. It's extraordinary - everyone sitting with their chickens on their laps, moving forward but not going anywhere fast.