In 'Where the Air is Clear', Carlos Fuentes composed a polyphonic portrait of Mexico City amid the growth and modernization brought on by the economic boom of the 1950s. The novel can be read as a jazz interpretation - free and in a Mexican key - of John Dos Passos' 'Manhattan Transfer'.
In 'Dublinesque', Spanish writer Enrique Vila-Matas inverts the terms of Joyce's 'Ulysses' and tells the story of a man who, after living a hyperkinetic life like those of Odysseus and Leopold Bloom, resolves to never leave his room again and to reduce his mental activity to a minimum.
I don't believe in inspiration at all. We live in a world that demands explanation. And fiction has the capability to offer explanations for things.
The kitchen is the heart of the house.
I don't think that books are wondrous, magical things that come from nowhere. It's important that a book has clues about where and how it was written.
Fidel Castro's most scandalous show trial was not mounted against a political figure but against a writer: Heberto Padilla. In 1971, after 38 days of detention, Mr. Padilla was forced to 'confess' at the Cuban writers' union to the charges of 'subversive activities.'
My definition of freedom is still ruled by the reluctance to live a conventional life, from Emilio Salgari's pirates.
Caravaggio was a tormented, defiant, bisexual, angry young man - a maestro who looked nothing like a maestro.
I work with history because I come from a country that has a tremendous thirst for reality.
I was not able to be the front forward of a soccer team - that is a way to make people super happy every Sunday. What I can do is tell stories and try to put my coin in that discussion.
There is this brutal side to tennis. It was invented as a game for kings and cardinals and people with a lot of power who didn't have to share the field with other players.
New York offers a bubble out of the literary life that is very useful. We have more time for the children, for the cooking.
Great rock n' roll comes from suburbia.
If you read the poets of the 19th century in Latin America, you would see that Havana or Mexico City or Buenos Aires are incredibly modern and global cities that they were not. And eventually they became real, and they became real because people read these books and tried to live in a better world.
In Mexico, I think I'm considered conservative. Not politically - in terms of form and experimentation.
I'm always reading a novel. If it's good, I remember why I love my job.
Vivian Abenshushan and Veronica Gerber write brilliant books that defy generic conventions.
I read everything from comics to magazines to fiction - I learned to read in English, years before being able to speak a word of it, by reading 'National Geographic.'
I don't write historical novels but novels that wonder, 'And what if it happened in this way and not in this other one?'
Writing is so fun precisely because if you take out the right adjective, the readers can decide what kind of book is in their hands. Suspension of disbelief should not be mandatory in contemporary writing.
